Tampilkan postingan dengan label Light Painting. Tampilkan semua postingan
Tampilkan postingan dengan label Light Painting. Tampilkan semua postingan

Rabu, 06 Juli 2011

Light Painting 101

Light Harted (Reindeer Light Painting), HertfordshireLove At First Light (Light Painting), KentSome Corner Of A Field (Black and White Light Painting)Being In The Universe (White Witch Light Painting), DorsetField Of Dreams (Penalty Kick Light Painting), RickmansworthFor Those In Peril On The C (Kraken Light Painting), Mill End

Light Painting, a set on Flickr. Over the last few months I've had some success shooting light paintings. I'm lucky enough to get Flickrmail asking about the basics, and whilst I've got plenty left to learn, here are the things I'd recommend as a starter for ten.


1: Sketch the scene first - Successful light painting means drawing images in the air, without seeing your progress as you go. Meeting this challenge is made much easier the fewer lines you need to draw. Sketching your idea on paper before going out with the camera allows you to simplify the image so that the fewest lines need tracing, and the image will be easier to produce.

2: Use the background - Remember that the light painting itself is just one aspect of the image. A great set of flashlight painted lines are super in themselves, but the magic really happens when you weave them successfully into a background scene that could also stand on its own two feet.

3: Use your body - Especially when drawing human figures, you can use your body to guide you when tracing in the air. Run a test shot, remembering the points of your body where you turn the torch. This makes it much simpler to avoid overlapping lines or distorted scales. Measure movement between positions in clear steps, counting them in your mind so you can repeat and control the process time after time.

4: Use bright torch for lines - A dim torch moved slowly and a bright torch moved quickly both have their pros and cons. I favour a bright torch. This allows swift movements, leaving smoother lines. The danger is that the bright torch causes flare at the end of lines. Dim torches are better for flare, but the slower movements they demand are often harder to keep smooth.

5: Use a smooth, non-grip torch - Especially when tracing against or near your body a grippy rubber torch will catch on clothing and ruin images. A brushed aluminium or plastic flashlight can be traced against clothes or through undergrowth without catching, allowing for smoother, more accurate lines.

6: Use flare - Whilst you won't want it on smooth lines, holding your torch in one place creates a neat sunburst effect. This can be used for creative effect, as in some of the images above.

7: Control aperture - Light lines, as well as the background, are best shown in focus. At night, when focusing is difficult, first use live view and your torch to focus midway into the scene. Then set aperture at f/8 to f/11 - giving enough depth of field to keep lines distinct. Tighter apertures are generally too slow to give good lines at acceptable ISO levels, and just a little blur makes the lines smooth.

8: Dark clothing and move fast Wear dark clothing and get out of the frame quickly, especially if you are stood against a relatively bright background like the sky. You needn't rush things; move deliberately though and do not dawdle.

9: Once you're happy shoot it again - However good your image looks on the back of the camera, shoot as many additional frames as you have time for. Tiny details on light paintings can undermine the image and they're hard to see on LCD. Once you know you have a decent image on your memory card, you can relax and try adding details. Many of the movements are like kata - the more you do them the better they become.

10: Shoot a backing plate - When you have a few images you are happy with, shoot a blank shot of the scene at an identical exposure as your most successful. Correcting errors or errant lines in light paintings is very difficult through cloning, and having a blank background layer makes it much easier to delete details that don't work.

Good luck and enjoy!

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Kamis, 09 Juni 2011

Lily With Light Trails

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Rabu, 08 Juni 2011

Firewater

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Kamis, 09 Desember 2010

Field Of Dreams (Penalty Kick Light Painting), Rickmansworth

Following on from www.flickr.com/photos/flatworldsedge/5233410987/ and www.flickr.com/photos/flatworldsedge/5022793280/ I'm really enjoying exploring the possibilities of light painting.

For clarity, as with all my light paintings, every line in this shot is drawn in camera by torch or flashlight. There were lots of kind comments, messages and questions on this front last time round, and that's all there is to it!

However, by way of full disclosure this one is a two take painting - I've used the cross, ball, goalkeeper and striker's head and legs from one shot, then editted in the striker's torso and arms from a second take. I've also had to go over the lines to remove an unwanted blue tinge which came with a white balance edit across the whole frame, aimed at allowing the night sky to come through against severe urban light pollution.

It's a 248 second exposure at ISO 100 and f/13, which has mostly worked, though the bush behind the goal has over-exposed a little due to passing traffic.

Perhaps I oughtn't to say I don't really like this image, at least not as much as the other two (which I adore). The setting was a little tricky, with traffic going by in the background and dogs rushing about in the early evening. I shot early than usual to try to catch some blue in the sky, and hadn't realised how busy it can be! However, I had the concept in mind and wanted to keep the momentum to my light painting - and unless I'm doing them and posting them, I won't be getting better!

Hope you like it, and are all having a great end to the week.

See Field Of Dreams (Penalty Kick Light Painting), Rickmansworth on Flickr.
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Jumat, 29 Oktober 2010

Love At First Light (Light Painting), Kent


First attempt at light painting having invested £19 in a remote shutter release. I took five or six attempts to get the man worked out, using a basic flashlight/torch, dressed in navy and thoroughly hooded. This was my first attempt at the couple and the hearts. I'm delighted with it! Lots more long exposure work to come.

It was taken around 2:00am last night in Loose valley just above the village. The scene is lit across the grass with light from a bright moon, with fluorescent light from Maidstone on the horizon, which is tweaked only with the camera's WB. I cropped slightly in from the left as a third heart had strayed half off frame, and gave a minor boost to vibrancy and blacks. Lightroom 3 did a great job with noise reduction - a fair number of random (single) bright green/red/blue pixels from the long exposure were pruned without hassle.

Details: 229 seconds ¦ f/8.0 ¦ ISO 100.

Update: Explored #14 and front page! Many thanks to everyone who has commented, fav'ed and viewed. I massively appreciate the attention and insights offered, and will be working through everyone individually as soon as I have a chance. Thanks to all!

See Love At First Light (Light Painting), Kent on Flickr.
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